I was born in Mexico City in 1988 and raised in the south side of Chicago as a child immigrant. As the product of a lower-class immigrant household, I grew skeptical of the white institutionalized art world and questioned my position in society. Working my way up to my "American Dream," I received a B.A. in Studio Art from Northeastern Illinois University and a Master’s in Urban Planning from the University of Illinois at Chicago while exhibiting my work at various galleries around Chicago. Soon after my studies, I moved to Belgium to join my husband and continue my career in Brussels.
I make masks; functional sculptural objects. My work reflects personal social anxiety within an urban environment and reality's imperfect, chaotic nature. These masks question the spectacle of perfection as performed by individuals and the norms I inherited as a part of my social conditioning. 
Through my most current work, I explore the decolonization of my practice, ideals, and presentation within the western world. Since moving to Brussels and making Belgium my home, I have encountered a culture shock that deepened wounds I acquired as a child immigrant in the United States. I was raised in an environment that was inherently racist, homophobic, and paranoid. As an immigrant child, I was held to a higher standard of conduct than my peers because the consequence of misbehavior could be my removal from the country. The masks counter these deeply rooted memories.
It is a participatory and performative series about personal and collective identity, that actively engages the viewer with a mix of sexuality, gender, colonization, and Mexican folklore. As if in an ancient ‘rite of passage’, hiding, masking, and flaunting blend together into an experience of self-display and self-affirmation, transforming shame and otherness into security and pride. Wearing the masks is meant to give the wearer access to a sacred space, my personal world, and my cultural roots, through the experience of a Mexican who was not Mexican enough for his heritage and not American enough for his peers.

As the founder of Extra Medium, I believe that stains, holes and tears in clothing are great opportunities to tell stories. If you've ever met me, you probably noticed my collection of handkerchiefs that I use every day. In 2020, I visited my aunts and grandparents in Mexico for the first time in 20 years, and it was the first time I realised that the use of handkerchiefs was a legacy in my family. My aunts teased me for carrying on the "tradition" of using a handkerchief like my dad, and my grandad too.
When I was 16, my father gave me my first two handkerchiefs. It wasn't until 16 years later that I realised how valuable these pieces of cloth would be to me. Today, I still have the two original small cotton squares my dad gave me, which are unfortunately torn on the corners and in poor condition.
We all have that one garment or accessory that needs repair, either to continue to be used or to keep it in good condition for the memories it holds. EM tailored values above all the sharing of stories and knowledge by focusing on raising people's awareness of their relationship with clothing. Every garment has a story, but how can we keep track of these stories if our clothes only last one season?
Extra Medium Tailored offers a tailoring service to help you care for your new clothes properly and give them the long life they were designed for. The service includes the repair and refurbishment of old clothes.

If you have a project in mind get in contact!
Follow my process on Instagram!
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